The "canvas" that I produce the auto-paintings on is actually tanned cowhide leather which is specially imported from Argentina.​​​

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The Process starts with the subject of the work being drawn onto damp leather.  Then the background area around it is bevelled down to create the depth between the subject and the background - the same effect that is created on a medallion where the background is pressed down with a mechanical press.

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In a method that is similar to that used by a sculptor, the details of the subject are then modelled into the still damp leather using specially designed tools. 

 

This process allows me to reproduce the very finest details of the animal into the work.  As can be seen in the image at top right very fine detailing is possible with, for example, the Zebra's mane.

 

The painting stage:  once the leather is dry it is now ready to be painted.

 

I utilise the finest quality fade-free artist acrylic paints for this stage.  

 

Each artwork will require between eight to ten layers of paint. Once this stage is completed, the colouring is protected with two coats of a clear matt varnish ensuring a lifetime of trouble-free enjoyment. 

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There are very few 'Art on Leather' practitioners - especially compared to the number of conventional artists - in the world today.  So these works are indeed rare in the art universe - especially so with regard to reproducing bespoke wildlife-paintings which requires a serious commitment to detail and accuracy. 

 

Should you have any queries or require further information on the wildlife-paintings Process you are most welcome to contact me through the Contact Form.